est. 2026 · a division of the journal
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Line / Surface

gesture · matter · distance

Eight works where modernism becomes tactile: compressed landscapes, charged contours, paper, pigment and the stubborn presence of the surface.

works 8artists 3dates 1899 – 1940on the wall 6.9 m
← all halls
Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.
Key work of the hall Vasily Kandinsky Landscape with Two Poplars 1912 · Oil on canvas
Arthur Jerome Eddy Memorial Collection
Art Institute of Chicago · public domain (CC0)
image: Wikimedia Commons · public domain

Where you are

Line / Surface in time, then at true size beside the rest.
13 / 15
01Renaissance and Before12 works · 11.1 m
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02The Seventeenth Century12 works · 12.7 m
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03The Barbizon School7 works · 7.1 m
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04Realism12 works · 12.4 m
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05Impressionism12 works · 13.0 m
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06Post-Impressionism13 works · 17.3 m
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07Modernism12 works · 9.7 m
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08Ukiyo-e11 works · 5.1 m
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09Pictorialism12 works · 6.4 m
Enter Pictorialism
10Folk Art12 works · 10.9 m
Enter Folk Art
11Modern Forms20 works · 19.5 m
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12Chromatic Tension12 works · 12.4 m
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13Line / Surface8 works · 6.9 m · you are here
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14Light / Silver12 works · 6.4 m
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15Figure / Gesture8 works · 5.9 m
Enter Figure / Gesture
a person, 170 cm

The collection brings together works from the Art Institute of Chicago Open Access collection and other openly licensed sources. Artist, title, date, medium, source and rights are printed under every plate. EPRIS Museum claims no rights in these images.