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Painting of a stately woman seated on a red velvet chair in a blood-red room, a blue-white fireplace to her left. She glances down at the floor with a serene expression toward a tiny blond child—a baby—who sits on the floor tearing up paper, her pink-clad back facing the viewer.
Post-Impressionism

The Red Room, Etretat

Félix Edouard Vallotton
artist Félix Edouard Vallotton (Swiss, 1865–1925)
date 1899
medium Oil on artist's board
origin Switzerland
dimensions 49.2 × 51.3 cm
credit line Bequest of Mrs. Clive Runnells
hall 06 Post-Impressionism
rights public domain (CC0)
Record in Chicago Full image

Also in Post-Impressionism

Painting of four women with blue shawls walking near red fence. Paul GauguinArlésiennes (Mistral) A herondz silhouette sits amongst the brush in a golden hued forest. George InnessThe Home of the Heron Dense and varied landscape with open fields, groves of bushy trees, and a row of thin conifers. A light-blue river tranverses the canvas, and a church steeple emerges from the trees at left of center. At far left is a side view of a white house with open shutters, a woman working inside. Édouard Jean VuillardLandscape: Window Overlooking the Woods Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank. Georges SeuratOil Sketch for "A Sunday on La Grande Jatte — 1884" A diagonal line of leaping ballet dancers recedes from a starkly lit dancer partially visible at bottom left. All are broadly painted against a blue-green ground above them, pale pink below. They have obscured features and are highlighted in yellow and green. A conductor's hands emerge at bottom. Henri de Toulouse-LautrecBallet Dancers A work made of oil on jute canvas. Paul GauguinNo te aha oe riri (Why Are You Angry?) A work made of oil on canvas. Camille PissarroWoman and Child at the Well A work made of oil on canvas. Camille PissarroYoung Peasant Having Her Coffee

Every work shown here is in the public domain and comes from the collection of the Art Institute of Chicago, published under its Open Access programme (CC0). Artist, title, date, medium and the museum’s own credit line are printed under each plate, and every plate links to the object record in Chicago. EPRIS Museum claims no rights in these images.