EPRIS
museum | virtual
est. 2026 · a division of the journal
search artists halls
work
← Renaissance and Before
A work made of oil on panel.
Renaissance and Before

Fragment from Christ Carrying the Cross: Mourning Virgin

Jean Hey, (the Master of Moulins)
artist Jean Hey (Master of Moulins; Netherlandish, active in France, c. 1480-c.1504)
date c. 1500
medium Oil on panel
origin Netherlands
dimensions 27.5 × 19.9 cm
credit line Lacy Withers Armour Fund, purchased with funds provided by the Old Masters Society, the Rhoades Foundation, Marilynn Alsdorf, Barbara Danielson in honor of James Wood, Mr. and Mrs. John W. Madigan, and John and Mary Gedo through the Old Masters Society, through prior gift of the George F. Harding, Mr. and Mrs. Morris I. Kaplan, Charles H. and Mary F. S. Worcester, and Max and Leola Epstein collections
hall 01 Renaissance and Before
rights public domain (CC0)
Record in Chicago Full image

Also in Renaissance and Before

St. George on white horse, piercing green, gold dragon Bernat MartorellSaint George and the Dragon A light-skinned man in red and woman in blue sit with an infant between them, angels beside and above them, a small town in the background. Fra BartolommeoThe Nativity A work made of oil on panel. Sebastiano del PiomboChrist Carrying the Cross Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed. Bartolomeo di GiovanniScenes from the Life of Saint John the Baptist A work made of tempera on panel. Giovanni di PaoloSaint John the Baptist Entering the Wilderness A work made of tempera on panel. Giovanni di PaoloEcce Agnus Dei A work made of oil on panel. Girolamo da CarpiSaint Luke Drawing the Virgin and Christ Child A work made of oil on panel. Giulio Cesare ProcacciniVirgin and Child with Angels

Every work shown here is in the public domain and comes from the collection of the Art Institute of Chicago, published under its Open Access programme (CC0). Artist, title, date, medium and the museum’s own credit line are printed under each plate, and every plate links to the object record in Chicago. EPRIS Museum claims no rights in these images.