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Outdoors, distinct groupings of adult men and women, some with halos, gather near a building. The front-facing wall of the building is not depicted, allowing for a view inside, where a woman sits in bed with two women nearby and two other women dress a baby. A bearded man sits near the bed.
Renaissance and Before

Scenes from the Life of Saint John the Baptist

Bartolomeo di Giovanni
artist Bartolomeo di Giovanni (Italian, active c. 1465-1501)
date 1490/95
medium Tempera on panel (poplar)
origin Italy
dimensions 74 × 150.4 cm
credit line Mr. and Mrs. Martin A. Ryerson Collection
hall 13 Renaissance and Before
rights public domain (CC0)
Art Institute of Chicago Full image

Also in Renaissance and Before

St. George on white horse, piercing green, gold dragon Bernat MartorellSaint George and the Dragon A light-skinned man in red and woman in blue sit with an infant between them, angels beside and above them, a small town in the background. Fra BartolommeoThe Nativity Christ Carrying the Cross by Sebastiano del Piombo. c. 1515–17 · Oil on panel Sebastiano del PiomboChrist Carrying the Cross Saint John the Baptist Entering the Wilderness by Giovanni di Paolo. 1455–60 · Tempera on panel Giovanni di PaoloSaint John the Baptist Entering the Wilderness Ecce Agnus Dei by Giovanni di Paolo. 1455–60 · Tempera on panel Giovanni di PaoloEcce Agnus Dei Saint Luke Drawing the Virgin and Christ Child by Girolamo da Carpi. c. 1535 · Oil on panel Girolamo da CarpiSaint Luke Drawing the Virgin and Christ Child Fragment from Christ Carrying the Cross: Mourning Virgin by Jean Hey, (the Master of Moulins). c. 1500 · Oil on panel Jean Hey, (the Master of Moulins)Fragment from Christ Carrying the Cross: Mourning Virgin Virgin and Child with Angels by Giulio Cesare Procaccini. c. 1610 · Oil on panel Giulio Cesare ProcacciniVirgin and Child with Angels

The collection brings together works from the Art Institute of Chicago and Cleveland Museum of Art Open Access collections and other openly licensed sources. Artist, title, date, medium, source and rights are printed under every plate. EPRIS Museum claims no rights in these images.