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Dense and varied landscape with open fields, groves of bushy trees, and a row of thin conifers. A light-blue river tranverses the canvas, and a church steeple emerges from the trees at left of center. At far left is a side view of a white house with open shutters, a woman working inside.
Post-Impressionism

Landscape: Window Overlooking the Woods

Édouard Jean Vuillard
artist Édouard Vuillard (French, 1868-1940)
date 1899
medium Oil on canvas
origin France
dimensions 249.2 × 378.5 cm
credit line L.L. and A.S. Coburn Fund, Martha E. Leverone, Charles Norton Owen funds, and purchased with funds provided by an anonymous donor
hall 06 Post-Impressionism
rights public domain (CC0)
Record in Chicago Full image

Also in Post-Impressionism

Painting of four women with blue shawls walking near red fence. Paul GauguinArlésiennes (Mistral) A herondz silhouette sits amongst the brush in a golden hued forest. George InnessThe Home of the Heron Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank. Georges SeuratOil Sketch for "A Sunday on La Grande Jatte — 1884" A diagonal line of leaping ballet dancers recedes from a starkly lit dancer partially visible at bottom left. All are broadly painted against a blue-green ground above them, pale pink below. They have obscured features and are highlighted in yellow and green. A conductor's hands emerge at bottom. Henri de Toulouse-LautrecBallet Dancers A work made of oil on jute canvas. Paul GauguinNo te aha oe riri (Why Are You Angry?) A work made of oil on canvas. Camille PissarroWoman and Child at the Well A work made of oil on canvas. Camille PissarroYoung Peasant Having Her Coffee A work made of oil on canvas. Henri de Toulouse-LautrecPortrait of Jeanne Wenz

Every work shown here is in the public domain and comes from the collection of the Art Institute of Chicago, published under its Open Access programme (CC0). Artist, title, date, medium and the museum’s own credit line are printed under each plate, and every plate links to the object record in Chicago. EPRIS Museum claims no rights in these images.