Edo prints beside the Europeans who copied them
Ukiyo-e reached Paris as packing paper and left as a way of composing. This show puts the prints and the paintings on the same wall and lets the borrowing be obvious.
Every work shown here is in the public domain and comes from the collection of the Art Institute of Chicago, published under its Open Access programme (CC0). Artist, title, date, medium and the museum’s own credit line are printed under each plate, and every plate links to the object record in Chicago. EPRIS Museum claims no rights in these images.
Works in this exhibition are drawn from Post-Impressionism, Modernism, Ukiyo-e.